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Category Archives: Art
What are the most important things to look for when comparing martial arts schools?
What are the tell tale signs of a quality school that you can spot immediately?
What are the best questions to ask, and how do you know if they can really deliver?
What part of a contract can you negotiate?
These are just some of the important questions you need to know how to answer before shopping around for a martial arts school.
A commitment to martial arts is an investment in time and money, so knowing exactly what to look for in a school, and knowing what questions to ask, will give you the clarity and confidence to make a smart choice.
A bad choice in a martial arts school can be an expensive lesson, so use this guide to educate yourself.
There is a huge variety of martial arts schools out there. Facilities range from expensive health-club-like facilities to open space warehouses. Martial arts schools aren’t regulated to insure quality of instruction or business practice. There is no official governing body and no universal grading standard in martial arts. Almost anyone can open a school and appear to be an expert.
What do you look for beyond price, amenities and convenient schedules? While most people first consider price and the facility, there are more important factors that you need to consider first!
These 10 steps show you how to make the best decision in choosing a martial arts school:Objective
Before you start looking into martial arts schools, determine your true goals for martial arts practice. To get the most out of your training, clearly identify your real goals and the specific benefits you want to have.
Ultimately, you just want to feel good about yourself and feel super confident, right?
However, this is usually not enough of a specific emotional motivator for consistent practice.
The majority of people who start martial arts rarely make it past a few months of consistent practice. It’s not just a lack of motivation. Not having clear goals is usually why people don’t follow through in practice.
To determine what you really want from training, start by narrowing down what you wish to focus on.
The United Kingdom has a tradition of art and design education which is many hundreds of years old, and based on this tradition, continues to offer a wide range of courses of the highest quality, in an environment which gives excellent support to every aspect of study.
For complete details about study in uk, visit abroad education corner.
Subjects and Levels of Study
Post-school art and design courses are offered in a range of subject areas, and at three levels. Foundation, Access and Diploma courses accept students directly from school or college at ages between 16 and 18. Degree and Honours Degree programmes accept students who already have Foundation or Diploma qualifications, and also accept the transfer of students into the second or third year of courses if they have appropriate diploma or higher diploma qualifications.
Further study is offered at post-graduate level, ranging from taught Masters degree programmes, through Masters by research, to Doctoral qualifications by research or practice, or a combination of the two.
Foundation level courses are usually one year long, degree courses are usually three years in duration, and post-graduate programmes last between one and three years, depending on the qualification and subject. Many courses allow professional placement opportunities, and a variety of part-time and flexible learning possibilities exist.
Art and design education in Britain is remarkable for its diversity. Broad subject definitions include Design, Fine Art and History, and Theory of Art and Design. Design based courses are offered in a huge range of disciplines from craft based areas such as Furniture Design, Ceramics, Textile Design, and Silversmithing and Jewellery, through Fashion, Graphic Design, Product and Automotive Design, to areas such as design for Multi Media and the electronic environment, including digital graphics and animation. Fine Art provides courses ranging from those in traditional disciplines such as Painting, Sculpture and Printing, through courses concerned with Performance and Installation, and those which relate to lens-based and electronic media.
Courses in the History and Theory of Art and Design range from those dealing with Art History, through courses in Curatorship, Conservation and Museum Studies, and those which combine the study of theory with other practical subjects such as painting, or with study of other disciplines such as philosophy, sociology or history. Most courses contain vocational elements which assist graduates in progressing to appropriate professional destinations, though these elements range in type and delivery from simple business and professional study elements to specific subject-focused live projects.
Have you ever thought about why art has been replicated. What benefits has it given us, and has it hurt art in any way, because of it.
So lets get on the Soap-Box and get down to the nitty-gritty on the replication of art, and simply….. what it means to you.
Lets go back to the time where there were no replications of art work; with the exception of the artist having to re-do another copy of their own art. So in a fact, you could hardly call it a replica, could you…………. as any art re-done, will always be a bit different, by the artist hand.
Artists would painstakingly do their work and sell them piece by piece. Now, there were the times when someone would see this same art piece and want one for their very own. That’s where the artist would have to go back to the start, and re-paint or sculpt their art work, all over again.
If you were an artist of means, and already had a reputation – you could get one of your (underlings), your apprentice artists to re-do your art work for you. And the main artist might just add the finished touches to the art work, to add their style.
Its no different to the writers of books in the Olden days. There were no printing presses in those days.
So it was the monks in the monasteries that devoted much of their time to hand writing all the pages of a book. That’s right! – writing all those pages. Tedious work, when you think that you have just finished the last page of a book, and your instructions were to write the whole book all over again. Would make you feel as though you would want to through the book out the window. But being a monk, I’m sure they were devoted to their work, or they had a strong constitution.
So… as you could imagine, works of art would have been quite expensive for an original. Of course there were the exceptions, if you were an artist with no name. Selling your piece of art work for a pittance could well have gone on in those days and not so long ago either. Lets face it! the more well known an artist became, the higher the price they can ask for their art work.
The market for Chinese contemporary art has developed at a feverish pace, becoming the single fastest-growing segment of the international art market. Since 2004, prices for works by Chinese contemporary artists have increased by 2,000 percent or more, with paintings that once sold for under $ 50,000 now bringing sums above $ 1 million. Nowhere has this boom been felt more appreciably than in China, where it has spawned massive gallery districts, 1,600 auction houses, and the first generation of Chinese contemporary-art collectors.
This craze for Chinese contemporary art has also given rise to a wave of criticism. There are charges that Chinese collectors are using mainland auction houses to boost prices and engage in widespread speculation, just as if they were trading in stocks or real estate. Western collectors are also being accused of speculation, by artists who say they buy works cheap and then sell them for ten times the original prices-and sometimes more.
Those who entered this market in the past three years found Chinese contemporary art to be a surefire bet as prices doubled with each sale. Sotheby’s first New York sale of Asian contemporary art, dominated by Chinese artists, brought a total of $ 13 million in March 2006; the same sale this past March garnered $ 23 million, and Sotheby’s Hong Kong sale of Chinese contemporary art in April totaled nearly $ 34 million. Christie’s Hong Kong has had sales of Asian contemporary art since 2004. Its 2005 sales total of $ 11 million was dwarfed by the $ 40.7 million total from a single evening sale in May of this year.
These figures, impressive as they are, do not begin to convey the astounding success at auction of a handful of Chinese artists: Zhang Xiaogang, Yue Minjun, Cai Guo-Qiang, Liu Xiaodong, and Liu Ye. The leader this year was Zeng Fanzhi, whose Mask Series No. 6 (1996) sold for $ 9.6 million, a record for Chinese contemporary art, at Christie’s Hong Kong in May.
Zhang Xiaogang, who paints large, morose faces reminiscent of family photographs taken during the Cultural Revolution, has seen his record rise from $ 76,000 in 2003, when his oil paintings first appeared at Christie’s Hong Kong, to $ 2.3 million in November 2006, to $ 6.1 million in April of this year.
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